Showing posts with label Literary Fiction. Show all posts
Showing posts with label Literary Fiction. Show all posts

Wednesday, 12 June 2019

The Specter (Waxwood Series: Book 1) - A #Historical #Fiction Novel by Tam May

Tam May grew up in the United States and earned her B.A. and M.A in English. She worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14 and writing became her voice. She writes historical and contemporary fiction about characters who must examine their past and the time in which they live to move on to the future.

Her first book, a collection of contemporary short stories titled Gnarled Bones And Other Stories, was nominated for a 2017 Summer Indie Book Award. She is currently working on a Gilded Age family saga, of which the first book, The Specter, is now available for preorder. She is also working on a historical mystery featuring a turn-of-the-century New Woman female sleuth. Both series take place in Northern California.

She lives in Texas but calls San Francisco and the Bay Area home. When she’s not writing, she’s reading classic literature and watching classic films.


About the Book


To what lengths will one go to exorcise a specter?

One rainy morning in 1892, people gather to mourn the death of San Francisco socialite Penelope Alderdice. Among them is a strange little woman named Bertha Ross, who claims to have known “Grace” in the 1850’s in the small town of Waxwood. But Penelope’s granddaughter, Vivian, has never heard of Grace or Waxwood.

Bertha reveals surprising details about Grace’s life in Waxwood, including a love affair with Evan, an artist and member of Brandywine, Waxwood’s art colony. Vivian’s mother, Larissa, insists Bertha is an imposter who has come not to mourn a woman she knew in her youth but to stir up trouble.

Vivian, however, suspects the key to her grandmother’s life and her own lies in Waxwood. She journeys to Brandywine where she meets Verina Jones, Evan’s niece, and discovers a packet of letters her grandmother wrote forty years ago about her time in Waxwood.

As Vivian confronts the specter that holds the truth to secrets buried in the family consciousness, she examines her grandmother’s life as a mid-19th-century debutante and her own as a Gilded Age belle. Will she find her way out into the world as an autonomous being, or will she be haunted by the specter of her grandmother’s unhappiness all her life?

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Monday, 27 May 2019

The Hand You're Dealt: A Urban College #Romance by Quan Williams

Quan Williams was born and raised in Flint, MI, and has always had a love for stories. His earliest inspirations come from having his 2nd-grade teacher read classic stories like The Hobbit, Charlotte’s Web, and Winnie The Pooh to him in class. Around that time, his parents supported his appetite for fiction by subscribing him to the Star Wars comic book series. A chance encounter with a ripped up Batman comic book on the way home from school (of which he collected all of the loose pages, took them home, and put them together in order) prompted Quan to shift from consuming stories to creating them.

Quan honed his writing craft at the University of Michigan, where he studied creative writing under the tutelage of novelists Jonis Agee (Strange Angels, South of Resurrection) and Tish O’Dowd Ezekiel (Floaters). He also found time to write and illustrate three comic books and work as an entertainment journalist for the Michigan Daily Newspaper for three years. It is while in college that Quan gained a passion for gaming, and sought to ply his talents co-creating the rules and design for Transformers Battlecards, a trading card game based on the popular toy franchise. This game was eventually opted by Hasbro and turned into Beast Wars: The Mutating Card Game.

Since graduating, Quan has jumped at every opportunity to bring his wild ideas to life. He wrote the short story “That Weird Kid” which was published by The web magazine Storiesthatlift.com, before writing the young adult novel The Leopard Man. He created, designed and self-published the Organized Crime-based card game Syndicate: The Underworld and took third place in a worldwide online fantasy short story contest. He wrote, illustrated and programmed two webcomics, one of which (The Seizure) was collected and published as a trade paperback. He wrote the business/family melodrama Double Entry which was published by Red Rose Publishing. His sci-fi horror novel, Godmode, was recently picked up by Necro Publications. and King Jewel Publications has published The Hand You're Dealt, a literary love story set between his Alma Mater in Ann Arbor and the city of Detroit.

Quan is currently seeking representation for two fantasy novels he has just completed; one being an Urban "Indiana Jones"-styled Fantasy Thriller, and the other the first entry of a High Fantasy Epic trilogy.

When he is not creating, he enjoys the company of his loved ones, whether it be playing card games with his wife, or playing Magic: the Gathering with his brother, or talking about the craft of writing with his Godsister, or discussing Comic Books, Sports and Pro Wrestling with friends. He loves working with children and strives to teach them and encourage them to express themselves creatively and pursue their dreams, no matter how far-fetched others might think they are.


About the Book


Jay is an ambitious, charismatic college student actively looking for love in Ann Arbor, MI. He is undeterred by past failures, and eventually finds Tika, a tough but beautiful coed with a big heart and an explosive temper. They meet, bond and grow their relationship over monthly games of spades with their eclectic circle of friends. Their love is put to the test early and often during their college years, and the tests get even tougher after they graduate. Jay lives in Detroit, and deals with the disillusionment and disappointment of dreams deferred while selling vacuum cleaners – and his blood – to pay escalating bills. Tika supports his now fragile ego as he desperately searches for a better job, but she has problems of her own: namely, coming to terms with the sudden appearance of a father who had been absent for her entire life, along with the dark family secrets his return dredges up. Tika's father makes Jay an offer he can't refuse, but Jay turns it down and infuriates Tika by not telling her why. This could be the one obstacle their time-tested love can't overcome and may send Tika moving back to her beloved Chicago without her soon-to-be EX-boyfriend.

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Friday, 22 June 2018

Leah's Story: A #LiteraryFiction #Novel by C.M. Huddleston

Connie M. Huddleston loved history and dreamed of writing a book even as a child. However, she got sidetracked. She became an Army wife, a mother, an elementary school teacher, an archaeologist, and a historic preservation consultant, before publishing her first book! In 2018, she published her eleventh and twelfth volumes, all dealing with her first love, our nation’s past. Five are fiction, four for children and one for YA/Adult, all under the name C.M. Huddleston. Her other works are histories for adults on a variety of subjects including three about President Theodore Roosevelt’s maternal family.

Now a full-time author, Connie resides in a log cabin near Crab Orchard, Kentucky, with her husband and their Australian Shepherd Katie. They all enjoy the quiet of rural Kentucky. Except when Katie barks at deer, turkeys, and of course, the UPS truck!


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About the Book


Leah's Story tells of an African-American girl born on a rice plantation, who grows up serving her rich owners in Georgia. Her life, like so many others, could have ended there were it not for a bit of education and Emancipation, which gave her, and later her children, opportunities to fulfill their dreams. Told in journal form, taken down by the mysterious “Miss Elliott,” Leah’s personal history comes to life like the tiny birds she carves, revealing a lifetime of love and opportunity amidst a culture filled with hardship, pain, and loss.

Get it Today!


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Keep reading for an interview with the author:


Why did you decide to be a writer?


Writing was my childhood dream. I think many avid readers dream of putting their own characters in a book, telling their own story, and becoming known for making people want to read their books. Despite this dream, life got in the way, and I was almost 60 when I printed my first book. Now I have twelve in print!

Did you have a hard time sharing your work with the public?


Not until this most recent book, Leah's Story. I was told I was the wrong color to write about slavery. However, I felt that more than twenty years of archaeological and historical research into the South's African-American slave plantations gave me the necessary background to address the subject. My own imagination could fill in the rest.

Where are you from?


Currently, I live in rural Kentucky. I just recently discovered the very rich writing community in nearby Berea, a town and college known for its artistic ventures and support. I am now working to join that community.

Do you have a "day job"?


I'm a retired school teacher, archaeologist, and historic preservation consultant. Now I get to write full time!

What genres do you write?


Nonfiction history for adults. Middle grade, time travel historical fiction and historical fiction for teens and adults - Can you see I love history?

Is there a genre that you've been wanting to experiment with?


I think I'd just better finish up all the books I have started. No new genres for me, although, I joke with my daughter, a science-fiction author, that I'm going to write a steamy romance just so I can make some money!

If you could be one of your characters for a day, who would it be and why?


Oh, I would be Rose, the female lead in my Adventures in Time books. Rose and Greg can time travel into history. I think that's really every historian's and archaeologist's dream. What better way to explore and learn history than to see it happen.

What is the oddest thing you've ever researched for one of your books?


How to harness oxen to a wagon! Thank God for YouTube videos!

What is the most difficult thing you've ever researched?


Slavery. Even after twenty years of reading first-hand accounts and scholarly research, I often find the information to be heartbreaking.

What authors have most influenced you?


Robert Morgan's "Boone: A Biography" Morgan was/is a novelist and his biography reads like a novel. It showed me how you can transform history into a readable subject.

When did you first consider yourself an author?


Before my first book, I was the author/co-author of over twenty archaeological reports. But I truly felt like an author when, in 2014, I published "Greg's First Adventure in Time." Of, course, winning a gold medal from Literary Classics in 2016 for the book certainly re-enforced that feeling.

What are you working on now?


I am finishing the edits of "Greg's Fourth Adventure in Time" and working on two new historical novels, one middle-grade and one adult.

Monday, 15 January 2018

The Order of Actaeon (Waxwood Series: Book 1) by Tam May

Tam May was born in Israel but grew up in the United States. She earned her B.A. and M.A degrees in English and worked as an English college instructor and EFL (English as a Foreign Language) teacher before she became a full-time writer. She started writing when she was 14 and writing became her voice. She writes psychological fiction, exploring characters’ emotional realities informed by past experiences, dreams, feelings, fantasies, nightmares, imagination, and self-analysis.

Her first work, a short story collection titled Gnarled Bones And Other Stories was published in January 2017. She is currently working on a novella series called the Waxwood Series. Set in a Northern California resort town, the series explores the crumbling relationships among the wealthy San Francisco Alderdice family. Book 1, The Order of Actaeon, will be released on January 18, 2017. In the book, the Alderdice family son and heir falls into the hands of a charismatic older man obsessed with power and leadership during a summer vacation in the resort town of Waxwood. The second book, The Claustrophobic Heart, brings in Gena Flax, a young woman who must cope with the mental deterioration of her aunt during their summer stay at Waxwood. In the last book of the series, Dandelion Children, Daisy, the daughter of the Alderdice family is drawn into the disturbed life of the man who ruined her brother during one rainy summer in Waxwood.

She is also working on another book, House of Masks, about a woman who is mourning the death of her father and gets drawn into the lives of her two neighbors, one eccentric and one embittered.

She lives in Texas but calls San Francisco and the Bay Area home. When she’s not writing, she’s reading classic literature and watching classic films.

To keep updated on Tam May’s current projects, giveaways, promos, and blog posts, as well as receive a free gift, sign up for her newsletter.

You can also join Tam’s Dreamers Reading Group, for a chance to chat with others about books and opportunities to read advanced review copies of Tam May’s books, as well as special promotions and giveaways.

Connect with the Author





About the Book


Sometimes the hunter becomes the hunted.


Jake is the heir of the prominent Alderdice family in San Francisco. Although dearly loved by his sister Vivian, his passion for art and his contemplative temperament make him a pariah in the eyes of his tyrannical mother Larissa.

When the Alderdices spend their yearly summer vacation in the prominent resort town of Waxwood, Jake meets Stevens, a charismatic older man. Stevens’ paternal authority and obsession for power and leadership fits into Larissa’s idea of manhood. Jake develops a hero worship for Stevens who in turn is intrigued by Jake’s artistic talent and philosophical nature. Stevens introduces him to the Order Of Actaeon, a group of misanthropes who have rejected commercial and conventional luxuries for a “pure” life in the woods.

But behind the potent charms of his new friend and seductive simplicity of the Actaeon lifestyle lies something brutal and sinister that Jake could not have anticipated.

Get it today on Amazon!


Keep reading for an excerpt:


“I’d like to meet Jake and Vivian’s father,” Stevens said. “Will he be coming down here some time this summer?” Jake gave him a stony glance. He was sure Stevens remembered what he had told him about Raymond.

There was a few minutes silence while Jake felt they were all trying to think of how to respond without lighting the fire of shame to the Alderdice name.

Vivian was the first to speak. “We had different fathers. Mother was determined to wipe any trace of them off the face of the earth and she damn near succeeded.”

“My daughter uses vulgar words, Mr. Stevens,” Larissa said. “But she’s not far wrong.” Her polished fingernail trailed the damp cocktail glass. “I am once a widow and once a divorcee. I took back my maiden name and gave it to my children. I wanted to give them their dignity back.”

“Mother finds any flaw undignified,” Vivian said in a tight voice, “My father was a weak man who died of a heart attack and Jake’s father was a cheating bastard who went away when Jake was three years old.”

Larissa’s face darkened with the mark of her rage and she pushed the empty cocktail glass away from her a little too savagely, making it tumble to the grass. Jake quickly picked it up and set it gently on the table.

“I’m sorry. I shouldn’t have asked.” Stevens’ head tipped just enough to show humility but not so his eyes were totally hidden.

“No,” said Vivian. “You shouldn’t. But now that you have, tell me, Mr. Stevens, does a man who abandons his son to run off with a younger woman fit your theory of defending what is precious?”

“That’s enough, Vivian,” Larissa snapped.

“I don’t mind answering the question, Mrs. Alderdice,” said Stevens. “I find it reprehensible, of course.”

“Of course,” Vivian echoed.

“But sometimes people should run away,” he continued. “When they’re too volatile or too dangerous to be around others, that is.”

“You mean,” said Vivian, her voice softening, “sometimes hurting others becomes an act of love.”

“Something like that,” he said. “For some men, the rules are different. It’s not always easy to understand.”

“Explain it, then.” Vivian leaned forward.

“Viv, I don’t think — “Jake began.

“I don’t mind,” said Stevens. “I have nothing to hide.”

“I must admit, you have me curious,” said Larissa.

Stevens smiled then. It was the smile of the Cheshire cat, hanging solitary but mystifying.

“The boundaries aren’t as rigid with primitive people as they are in so-called civilized society,” he said. “Jung knew it. So did Freud.”

“I’m not sure I understand,” said Larissa.

“Taboos aren’t as neatly categorized,” he explained.

“You mean you can sleep with your father or mother and not be damned?” asked Vivian.

“Don’t be disgusting,” Larissa said with a wince.

“I don’t mean that at all,” he said, a little edgy. “Even primitive people have lines they won’t cross”

Click here to read the full excerpt!

Thursday, 15 June 2017

Bread for the Table by Tara Botel Doherty

Tara Botel Doherty was born in Los Angeles. She was raised by her grandmother and mother blocks away from famed Hollywood Boulevard. It was a Bohemian upbringing filled with art, dance, and guitar lessons and movie sets where her father worked as a lighting technician. This environment helped generate her love of the arts, especially books and writing.

She wrote her first book in the first grade. Educated in both public and parochial schools where the fundamentals of perseverance and patience were drilled into her, Tara understood the work ethic. She spends her days and nights teaching English in the San Fernando Valley.

Now residing up in the Santa Clarita Valley, aka the ‘Rita with her husband and daughter, she writes regularly about her adventures in Hollywood.


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Click here or a preview of Growing Up Hollywood: the Annie and Gracie Stories!


About the Book


Bread for the Table relates a single day in the life of Sage a 30-year-old aspiring jewelry designer working as a waitress in a pseudo New York deli in Los Angeles. A postcard from her mother triggers a series of flashbacks, which bring Sage's life into focus.

She remembers her protector – dear older sister, Rose of Sharon and her untimely death; her remote father, whose only communication was reading passages from novels written by John Steinbeck; her grandmother, the only consistent figure in Sage's life; and her mother.

The last time Sage and her mother shared an intimate moment was stirring a pot of soup shortly after Rose of Sharon's death. Her mother's last instructions before she went to buy bread to complement the soup were to keep stirring the soup so it wouldn't burn. Dutifully Sage stirred, but her mother never returned. She was five years old. Now she has received a postcard from a woman she hasn't seen in twenty-five years.

Get it today on Amazon!


Keep reading for an interview with the author:


Where are you from?


I am a Hollywood girl, full of the tales of pathos in Los Angeles.


What genres do you write?


Literary Fiction

How long does it take you to write a novel?


I actually wrote this book in 12 weeks when my first thesis was rejected by my advisor in grad school.


Which authors have most influenced you?


Harper Lee, Janet Fitch, and Flannery O'Connor are all female writers who have created strong and unforgettable voices in literature.

If you could choose an author to be your mentor, who would it be?


Janet Fitch. She was not at USC teaching when I attended USC. Originally I applied to USC because Betty Friedan was on the faculty. Unfortunately, she was not active on the faculty when I arrived.

What are your goals as an author?


I want to have my short story collections out there as well as my novel. These are stories and characters of Los Angeles.


What is the best compliment you've ever received as an author?


Two of my students had questions about my novel. It is amazing when 12-year-olds are demanding answers from you.

What is the worst writing advice you've ever received?


When my advisor in grad school told me my stories about Annie and Gracie weren't very good and he refused to present them to the committee.

What made you decide to self-publish?


I had an agent twenty years ago, and my novel wasn't picked up. That was devastating. Flash forward twenty years and one of my students asked me what was I going to do in ten years when my own kid was gone and in college. That mad me think about my future.

What is the best thing about self-publishing?


I am in control. But also the worst thing, I am responsible.

Would you recommend self-publishing to other authors?


Yes, I recommend it. Take control of your future as a writer. Remember subject matter is subjective. Not everyone is going to like it.

What are you working on now?


Two short story collections, Growing Up Hollywood and Night Crawlers

How do you market/promote your work?


Every day I am working on marketing. This is actually more work than writing. Social media, reviewers, reviews, it all takes time and energy. I work full time plus a part time job, so I try to do one thing every day for my writing.

What would you like Sage to do next?


Remember it all takes place in a day...but there is always a tomorrow.

Saturday, 8 April 2017

Gnarled Bones and Other Stories by Tam May

Tam May was born in Israel but grew up in the America. She earned her college degree in English before returning to the States. She also has a Master's degree in English and worked as an English instructor and EFL teacher before she became a full-time writer. She started writing when she was 14 and writing became her voice. She writes psychological fiction that explores emotional realities informed by past experiences, dreams, feelings, fantasies, nightmares, imagination, and self-analysis.

Her first work, a short story collection titled Gnarled Bones And Other Stories is out now in paperback and ebook. She is currently working on a novella series set in a Northern California resort town. The series explores the crumbling relationships among the wealthy San Francisco Alderdice family.

She is also working on another book titled House of Masks about a woman who, mourning the death of her father, breaks free of isolation and loneliness when she is drawn into the lives of her two neighbors, one eccentric and one embittered. For more about Tam and her work, feel free to check out her website.

She currently lives in Texas but calls San Francisco and the Bay Area home. When she’s not writing, she’s reading classic literature and watching classic films.

Connect with the Author



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About the Book


Gnarled Bones and Other Stories explores five tales of loss, fear, and guilt where strange and spooky events impact people’s lives in ways that are profound and unchangeable.

In “Mother of Mischief”, a newly divorced woman goes back to school to begin a new chapter of her life only to find herself circling back to where she started. In “Bracelets”, childhood nostalgia mingles with brutal fear during a circus outing for a mailroom secretary and her friends. In “A First Saturday Outing”*, a lonely woman ventures out of her isolated apartment one quiet Saturday afternoon to an art exhibit that leaves an eerie impression on her psyche*. In “Broken Bows”, a middle-aged violinist reveals the mystery behind his declining artistic powers to a lonely woman on a train. And the title story, “Gnarled Bones”, paints a portrait of the complex bond between an orphaned sister and brother through journal entries and first-person narrative. For these characters, the past leaves its shadow on the present and future.

* This story was featured on Whimsy Gardener’s Storytime With Whimsey.


Get it today on Amazon and Createspace!




Keep reading for an interview with the author:


Why did you decide to be a writer?


I decided to become a writer because when I discovered writing at the age of 14, I had no real voice. I grew up in a very overprotected family and I was very shy and introverted. I was taught to keep my feelings hidden and my opinions to myself. I realized through starting a journal and writing fiction that my real voice could emerge through writing.

Do you have a "day job"?


I'm fortunate enough to have been able to quit my day job last year. I worked right out of college in clerical/administrative work and then went back to school to get my graduate degree. After that, I worked as a college English instructor and later, as an EFL (English as a Foreign Language) teacher and tutor.

What genres do you write?


I write psychological fiction, which is a subgenre of contemporary/literary fiction, as well as a subgenre of several other categories (like suspense, thriller, and horror). But the fiction that I write is more psychological drama. I wrote a guest post explaining what psychological fiction is and why I write it here.


What inspires you to write?


Everything! Seriously, if something seems out of place or curious or quirky, I can find inspiration in it. It could be a strange image I see on the internet, a character from a movie that intrigued me, a conversation that I overhear at Starbuck's. Anything.


Do you have a daily word or page count goal?


I don't do well with daily word or page count goals, as I always feel like I'm just writing to fill up space. The exception is when I participate in National Novel Writing Month :-). However, I do try to write for a certain amount of time most days. I have concentration issues so I can't sit for long stretches of time, but I sit for 45 minutes or 1 hour and write continuously during that space of time. If I'm lucky, I squeeze in two writing sessions during the day.

What authors/books have most influenced you?


The author that has most influenced me is Anais Nin and the book that really changed my entire view of fiction was her book of short stories, Under a Glass Bell. I discovered the book on a bookstore shelf in Israel among the eclectic books written in English. The book is quite experimental with lyrical prose and it was my first exposure to that kind of writing. I was amazed not only by the beauty of the language but also by the way Nin could take a character and completely turn him or her inside out. I wanted to do that with my fiction, but in my own way and my own style, of course.

When did you first consider yourself an author?


Honestly, I only began to consider myself an author when I got the proof copy of the paperback version of my book, Gnarled Bones and Other Stories, in November of last year. It was holding the book in my hand, seeing the cover and the words written inside that were mine that made me feel I was really an author. I was always a writer, but that was the first time I started identifying myself as an author.


What is the best compliment you've ever received as an author?


The best complement came from a woman in my critique group. She commented on my story "Gnarled Bones" that my writing always made her feel comforted, no matter what the context was. That was a huge thing for me because I do tend to write dark psychological fiction, so my stories and characters are definitely not shiny happy people in sunny situations. But I do try to offer rays of hope in my stories and redeeming characteristics for my characters.


What do you enjoy doing aside from writing?


I love reading, obviously! I've always been fascinated by the past so I love reading classic literature. I'm also a huge classic film fan. I love the black-and-whites!


What made you decide to self-publish?


I loved the idea of being master of my own career with self-publishing, even though I knew it would mean a lot more work and perhaps less respect from the so-called literary establishment. I also knew that what I was writing was going to be a hard sell to publishers and literary agents. My style is more character-based and I love writing shorter works, like novellas and short stories. Those aren't readily published by publishers.


What are you working on now?


Right now, I'm working on several different projects. I'm nearly finished with the first round of revisions for the first book of my Waxwood series, The Order of Acateon and I'm submitting chapters to my wonderful critique group to help me with round two of revisions. I'm just about to begin the first draft for Book 2 of the series, The Claustrophobic Heart. I'm also working on another book titled House of Masks which I started during NaNo last year.

Friday, 30 December 2016

The Locksmith's Secret by Tahlia Newland

Award-winning author Tahlia Newland has written seven novels, one book of short stories and a book of writing tips—The Elements of Active Prose. She writes fantasy and magical realism with a touch of romance, and her writing, in its emphasis on the power of the mind, reflects her extensive experience in meditation. Three of her novels have won a BRAG Medallion and an Awesome Indies Seal of Excellence.

She works as an editor for AIA Editing and Publishing, a selective, author-funded publishing company, and lives in an Australian rainforest with a lovely husband and two cheeky Burmese cats. She also makes masks and steampunk accessories, and her wardrobe is full of steampunk clothing which she wears every day because beautiful clothes deserve to be worn.

Connect with the Author



About the Book


Ella’s boyfriend Jamie seems to be her perfect match until a death in the family calls him back to England and it becomes clear that he’s hiding something. Can their relationship survive the revelation of something so astounding that it completely changes Ella’s perception of him and his place in her world?

While Jamie struggles with family responsibilities, Ella’s steampunk murder mystery develops a life of its own, raising disturbing memories of her time as a striptease artist and a past life as a sexually abused Italian nun. She also dreams of an ephemeral city, where she seeks to unravel the locksmith’s secret and find the key that opens a door to other realities.

All these, together with a lost brother, a desperate mother, a demanding cat, and a struggle to live up to Buddhist ideals, weave together in a rich tapestry that creates an extraordinary work of genre-bending transrealist fiction.

Get it today on Smashwords, Amazon, Barnes & Noble, iTunes, and Kobo!


Keep reading for an interview with the author:


Do you have a "day job"? If so, what do you do?


I'm a freelance editor.

What genres do you write?


Fantasy and magical realism mostly, but The Locksmith's Secret is primarily a romance with magical elements. I've also written a non-fiction book on writing - The Elements of Active Prose: Writing Tips to Make Your Prose Shine.

Is there a genre that you've been wanting to experiment with? If so, what is it and what attracts you to it?


Steampunk. There's a steampunk thread in The Locksmith's Secret. It's a story the central character is writing. Though it comes to a conclusion, the story isn't completely finished in that book, so I've started writing the ending which I hope to publish as The RIse of the Aether Mages. I like the steampunk genre because of the plucky heroines, the action packed stories, the light-hearted touch and the magical element. What drew me to steampunk initially was the clothing. I love steampunk clothes, so much so that I wear them all the time.


What inspires you to write?


Meditation. Often when I sit and let my mind clear, vibrant scenes just pop into my mind. I feel like I'm right there and that's very inspiring.

What is the biggest obstacle you face as an author and what do you do to overcome it?


Marketing is my biggest obstacle. It doesn't come easily to me. I try to break the tasks down into easy steps and focus on one thing at a time, otherwise I get overwhelmed with all the things I could, and maybe should, do. Marketing can be a big time suck. and you never know whether anything you do will be worth the time you put into it.

What is the best compliment you've ever received as an author?


I think getting the awards I've won. Many reviewers have said lovely things about my work, but it's not easy to get a BRAG Medallion or an Awesome Indies Seal of Excellence and I have three of them.

What is the best writing advice you've ever received?


Write as if you're right there in the scene, smelling what is to be smelt, seeing what is to be seen, hearing all the sounds, feeling all the feelings and so on. People say that my writing is very evocative in this way.


What made you decide to self-publish?


I scored an agent for my first book, Lethal Inheritance, and a major Australian publisher wanted to publish it until their marketing department decided that they couldn't handle another YA fantasy. Those two things told me that the book was good enough to publish. My agent had tried all the big publishers, and she said not to go with a small publisher, which meant that I either shelved the series or self-published, so I decided to give it a go.

The Diamond Peak series was later picked up by a US publisher. After that I decided that I liked having total control of my work and so have published my books through my own company(AIA Publishing) ever since.

Have you ever gotten an idea for a story from something really bizarre? Tell us about it.


The Locksmith's Secret came from a visual image of a girl in a transparent city floating in outer space. She was all alone in this deserted city except for a locksmith in a room high in a skyscraper. What was he going to do with all those keys when the city had no doors? This ephemeral city is now a story thread in the book.


Do you have any advice for other authors?


Yes, don't rush into self-publishing. Premature publishing is a really bad start. Also it's a minefield of sharks. You need to do a lot of resesarch and study on the topic, because you're learning to be a publisher. You also have to learn marketing and that's another steep learning curve if you know nothing about it to start with.

Saturday, 24 December 2016

Intriguing Women by Lakshmi Raj Sharma

Lakshmi Raj Sharma is a Professor of English at the University of Allahabad. His first novel, The Tailor’s Needle, was published by Penguin Books India in 2012. His first story collection, Marriages are Made in India, was published by Publerati (USA) in 2012. His second story collection, Intriguing Women, is published by The Paris Press in March. 2016.




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About the Book


Intriguing Women is Lakshmi Raj Sharma’s third work of fiction. After the success of his debut novel The Tailor’s Needle and his first book of short stories Marriages Are Made In India, Sharma now publishes a second, masterly collection of stories about women in all their infinite – and intriguing – variety. Male readers may learn something useful too…

The stories have international and Indian settings. They are postmodern stories because they are globally conceived and they bring out what is contemporary in today's world. This is the age of women as they're acquiring a new position in society. Some are coping well but some are not. These stories are about women in this context. The stories become mirrors unto women as they can see to which category they belong. A mirror reflects the truth which can be both beautiful and ugly; these stories are truthful reflections in that sense. We visit Europe, we travel to Afghanistan and we celebrate the rich variety of the Indian continent. These are women who may seem superficially normal, but might not be, and women who strive for normality at all costs. Sharma also raises questions; can a woman reconcile herself to terrorism? How do we react to a woman who kills several of her husbands? Definitions of femininity are examined and magnified through the prism of fiction. There are humorous stories, serious ones, and those that take you on a literary tourism.

We meet women who despite years of oppression, are smart enough to ride the 21st century successfully, while others are left behind, unable to handle the complexities of modern life. These stories report, reflect and examine the feminine nature.

What is it like to be born a woman, most particularly an Indian woman?

Intriguing stories indeed.


Get it today on Amazon and Barnes & Noble!

Sunday, 24 July 2016

Blog Tour: Juniper Smoke By Sadia Ash



Sadia Ash has held jobs in different fields that involved writing (and never math) in some way. She has worked for film and TV publicity with the Prenner Group, did news and TV placement for Aeros (a NASA project), edited scripts for indie films, and fundraised. A lot. A serial volunteer, she has raised funds for many charities that educate and help girls.

Currently working on two other novels and a film script, Ash hopes to see the sunlight outside her window one day. She holds an MA English degree from Loyola University in Chicago, a Screenwriting Certificate from UCLA and one more impractical MA in English Literature from NUML. Originally from Chicago, she lives in sun-drenched Cali with her husband—who is her best friend—and two bright kids.


A Word From Sadia


I've had an odd and beautiful life. I was born in one continent, raised in another one…and moved to a third one to settle down. From the thousands of people I met and befriended, there was always a common theme: Everyone had a story to tell.

Since I was three years old, I have wanted to tell the stories of the fictional people trapped in my head. I love dissecting characters and exploring what lies beneath the razor-thin surface of human behavior. I am humbled when anyone—a stranger, friend or loved one—reads what I wrote. So, thank you!"

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About the Book


Juniper Mills is a straitlaced but sassy Iron Age curator at the History Museum in Ann Arbor, Michigan. At home, she is the sole provider for her special needs twin and comatose mother. Her mother—the best man-hater in the Western Hemisphere—raised Juniper in a grim, solitary existence, instilling in her a deep-rooted hatred of men.

Kyle Paxton is a genius micro-camera inventor from San Francisco--who thinks the models of the world are his own petting zoo. He is a clockwork man who schedules his life and relationships with robotic precision.

Juniper and Kyle meet when she is dangling forty feet from a museum scaffolding. When he joins the museum board, Juniper falls for him (figuratively this time) and all her man-hating training goes bust. She wants him, but knows it's going to be as hard as catching the ocean in a teacup.

Juniper knocks Kyle’s world off its axis and two worlds collide in this very unfairy tale. This novel is full of bendy twists and hairpin turns. Nothing is as it seems and none of the huge cast of characters behave as you would expect…

Reviews


“Intense, romantic story that gives you a book hangover for a very long time. I was so connected to the characters that it was hard to let them go. The chemistry between Kyle and Juniper is swoon worthy. Beautifully written debut book by Sadia Ash - a perfect romance book to remember for a long time. A definite five-star read!” ~ SAMREEN AHSAN, MULTI AWARD WINNING AUTHOR

“To say I like this book is an understatement...I LOVE IT! I've read 400 books this year and Juniper Smoke is in the top 3. As soon as I read the last word, I automatically wanted to read it again. The romance will stir emotions you will feel in your bones. The characters will make you laugh and cry, break your heart and mend it again. Kyle Paxton is the perfect book boyfriend and when he loves...you'll fall in love! ~ NIKKI BRACKETT, NIKKI'S WINDOW SEAT BOOK BLOG

“Sadia has the ability to bring characters to life that makes them irresistible. Juniper Smoke has intelligent, modern characters--both cosmopolitan and down-to-earth, which makes for universal tension between Juniper and Kyle. Mixing in childhood challenges, high-tech brilliance, luxury, and sexual tension makes for a delicious brew. The tension is taut and ebbs and flows so fast, it will grip you from start to finish.

The book’s strength lies in the depth of its characters, who all express themselves in a distinctive way—their own voice and in keeping with their own galaxies. The novel is entertaining and fun, but is a reflection of the real world.” ~ CT AUTHORS & PUBLISHERS ASSOCIATION

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Get it today on Amazon!


Keep reading for an excerpt:


“You invited your screen crush to the event?” He leaned closer to me. “Hmm. Whatta girl. Clumsy, smart and kinky. Letting your freak flag fly.”

I stiffened and the words came out before I could stop them. “What’s your problem? You’re probably a failed actor, just jealous of Clive.”

Kyle took off his glasses and put them in his pocket. Jet black brows knotted over a steely gaze fixed on me. It was so intense, my belly clenched with longing. My heartbeat was as loud as marbles falling down a metal staircase. Did every girl he meet get the same level of scrutiny? He looked more disappointed than injured—as if I had fallen lower in his estimation.

Who cares what he thinks?

was sure Kyle was as arrogant as he was handsome. In my limited experience, men this good-looking were natural-born devious jerks. He was probably married with a girlfriend and a side chick. And women doubtless made a single file to him, happy to be spiced, tossed and ground up in the meat factory that is today’s dating scene. I was usually not so pejorative, but Kyle pushed all my cheesed-off buttons, without saying a word. He didn’t have to. It was not him, it was me.

See, I was raised to hate men.

My mother didn't raise me to believe in fairytales. Only unfairy tales. The dark Grimm kind, where princesses’ hands could be chopped off and mermaids danced till they bled. Stories where stepmothers planned infanticide and little boys were buried in gardens and their blood and flesh turned into roots and sprouted juniper trees. My bedtime stories were never about Prince Charming, but about Norman Bates and serial killers who crushed little girls by tormenting them and locking them in basements. I was a terrified little girl. Safe—yes. Normal—nope.

When I grew older, I realized my terrors and insecurities were far from normal. They were the upshot of the bunch of lies my mom told me. But by now it was too late. The damage was permanent. At the advanced age of twenty-six, I had never been in a relationship with a man. I don't know who had fried my mom's brains, but if I ever met that bastard, I’d sucker punch him.

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Monday, 14 March 2016

Little Miss Somebody by Christy Lynn Abram

After enduring years of childhood abuse and struggling with depression and PTSD, Christy Lynn Abram embarked on a journey to self-healing using holistic wellness as her guide.

Now, as an Wholistic Muse (guide to one's self) and author, she teaches others how to love themselves healthy. Christy is trained in eight healing modalities, including: a Reiki, EFT, reflexology, massage therapy, and a crystal healer, all of which aided in her discovery of how to heal herself naturally. These life-changing skills also served as the foundation to enhancing her gift as an intuitive healer. 

She has been recognized for her knowledge of the chakra system (by best-selling author of the Chakra Bible, Patricia Mercier), gemstone healing, and energy medicine. She also contributes to several online publications on the subject of holistic healing and offers individual coaching, e-courses, and workshops all designed to assist and encourage others on their journey toward a better, fuller life. Christy also loves to use her gift of writing to help others. In her book Chakra Wellness: 7 Ways to Renew the Total she dives into the seven chakra centers from a mind-body-soul perspective. Readers learn how to discern key issues, heal imbalances, and maintain energetic barriers to eliminate stress and increase their overall well-being.

 her latest release, Little Miss Somebody, Christy wears her heart on her sleeve and delivers a poignant tale of love and sacrifice. To learn more about Christy and her mission visit www.christylynnabram.com.

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About the Book



Fourteen-year-old Nikki’s world is turned upside down when her mother makes an impulsive move to Missouri. Having left everything she knew behind, Nikki is left to fend for herself from her mother’s vicious cycle of abuse and abandonment while living at her grandmother’s house amidst her mother’s drug addicted siblings. 

Feeling unloved and more than ever like a burden, Nikki seeks to find a missing piece to the puzzle of her life- her father. Along the way, she unravels more layers of family abuse and pain causing her to feel helpless. But she won’t give up. Not yet, Not Nikki. Not until she finds what she is looking for. 

Will Nikki find the love she so desperately needs?

Get it today on Amazon, Barnes and Noble, and Gravity Books!


Keep reading for an excerpt:


St. Louis, Missouri 1993


“HEY, WHITE GIRL!” I heard a voice as I passed by. I turned to find the lead G-G (Ghetto Girl), Sophia, standing with her hand on her hip.

I took a deep breath and answered, “Yeah?”

“I heard you’ve been talking to my boyfriend, Arthur.”

“Who?”

“You know who I’m talking about. Don’t play stupid!”

“I don’t know what you’re talking about.” I shook my head in puzzlement.

“Arthur said you stalked him at Saint’s until he gave you his number, even though he told you he had a girlfriend.”

I wanted to tell Sophia that it was the other way around, but I knew it would only infuriate her.

“Sorry, I think you have the wrong person.”

“No, I don’t. He described you. The dirty girl from Washington who thinks she’s white.” Sophia’s crew burst into laughter as she stood there with her arms crossed, staring me up and down. I was pissed, but instead of arguing back, I muttered, “Whatever,” and walked off.

“That’s alright. You ain’t going to be saying ‘whatever’ when I kick your ass after school!”

I knew I shouldn’t have told Arthur where I went to school. It wasn’t like we went out or anything. He was just a boy I met at Saint’s a couple of weeks ago. All we did was talk on the phone. Besides, I liked someone else—an older boy named André.

Oh, man, what have I gotten myself into? I thought.

The G-Gs were always giving me problems for no reason. I think they were mad because the boys at school liked me; they were always calling me “cutie” and “fine.” The G-Gs constantly called me names like “dirty white girl” because I spoke “proper,” or “white”, as they called it. They also hated the fact that I was light-skinned with what black people call “good hair.”

They were the reason I hated King Middle School. It was rough and harsh—a lot different than my school in Washington State. At that moment, I really missed Washington. I had a lot of friends there and never had to worry about girls trying to fight me over stupid stuff. Honestly, I was tired of fighting.

Now, I’d had my share of rumbles, but the G-Gs were professionals. If they knew they couldn’t beat someone, they would jump them. I was scared, but I wasn’t going to stand there and let them punk me. My plan was to hit as many of them as possible and try to get away. I wasn’t sure if it would work, but it was worth a try.

Tuesday, 26 January 2016

Hesitation Wounds by Amy Koppelman



Amy Koppelman is a graduate of Columbia's MFA program. Her writing has appeared in The New York Observer and Lilith. She lives in New York City with her husband, Brian Koppelman, and their two children. Her previous novels are A Mouthful of Air and I Smile Back, slated for the Toronto Film Festival and general release in Fall 2015.

Amy also wrote ‘I Smile Back’ which was adapted into a film in 2015 starring actress/comedian Sarah Silverman. Sarah was recently nominated for a SAG award based on her performance of Laney.


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About the Book


The new novel by the author of I Smile Back, now a film starring Sarah Silverman. The acclaimed author of I Smile Back, Amy Koppelman is a novelist of astonishing power, with a sly, dark voice, at once fearless and poetic.

In Koppelman’s new novel, Dr. Susanna Seliger is a renowned psychiatrist who specializes in treatment-resistant depression. The most difficult cases come through her door, and Susa is always ready to discuss treatment options, medication, and symptom management but draws the line at engaging with feelings. A strict adherence to protocol keeps her from falling apart.

But her past is made present by one patient, Jim, whose struggles tear open Susa’s hastily stitched up wounds, revealing her latent feeling that she could have helped the people closest to her, especially her adored, cool, talented graffiti-artist brother.

Spectacularly original, gorgeously unsettling, HESITATION WOUNDS is a novel that will sink deep and remain—like a persistent scar or a dangerous glow-in-the-dark memory.


Get it on Amazon!


Keep reading for an excerpt:


When I was a little girl, I would sit on the roof and watch you spin around in circles. Arms in air. Palms toward sky. You turned and turned without ever falling. I should have recognized your balance was superior to my own. Instead, I stood, moved my body as you did, round and round, and quickly sank to the ground. You joined me there, leaned back onto your elbows, and smiled at me as I worried about how long the world would spin. Yours rotated on a singular axis, which I, for many years, mistook for purpose.

Time spins until it stops spinning. That simple. Later. Older. High. We watched the world spin without our having to move. And now, all these years later—even with distance—it is, still. Perspective, I’ve learned, is intrinsic to equilibrium. Happiness, on the other hand, is a sole operator. Denying you—click clock—until you become older than you ever thought capable. Your hands protruding from dark sheets drag the covers up over your head as you ache to remember and forget. Uncertain as to which would be a better outcome.

The pink morning light casts a glow across the ceiling. I check the time. It’s 6:15 a.m. The train leaves at 8:15 a.m, so we have time. But not too much time. I swing my legs over the bed, grab my glasses. Today is your forty-fifth birthday. It’s hard to believe we haven’t seen each other in nearly twenty-eight years. I understand intellectually that twenty-eight years is a long time. I was a girl then. I’m a middle-aged woman now. But for some reason it doesn’t feel like a long time ago and I don’t feel old.

I guess there’s some kind of cognitive dissonance at work, because there are still moments when I’d swear you’re alive. Not whole, maybe, but pieces. On Halloween, for example, a three-foot-tall pirate—partial, I would soon discover, to Almond Joy bars— had your same dark and pensive eyes. I held out the candy bowl, he looked up at me, and in a flash, a split second between his hold off and my go ahead, you were alive.

What I’ve realized as I’ve gotten older is that time isn’t, for both good and bad, a linear construct. The past beats beneath the present, threatening to unmask and reveal my regret to the world, or perhaps worse, to the forty four-year-old woman who greets me every morning in the bathroom mirror. She too brushes her teeth, flosses twice a day, applies bleach strips to combat the inescapable decay. Cavities, receding gums, bone loss. The ability to delude oneself, and this I can validate from both professional and personal experience, is central to processing loss, yellow teeth enamel the least of it.

I keep two pictures beside my bed. One Margo sent a few weeks after your funeral. You’re sitting on the bench at 149th, watching a subway car pass through the station. It has “BENARD IS KING” painted in huge orange and blue block letters in honor of the Knicks’ legendary small forward. Just to the right, in smaller black letters, is your tag.

“JAKYL.” If you look closely, you can make out the shell toe of your Adidas resting atop a trashcan. What you can’t see is that my feet are resting there too. Margo wrote “Memory lives forever” on the back of the photo, which is really not true. Memory lives only as long as the people who remember.

I spin.

I am spinning.

A rhinoceros dances on his tippy-toes. A porcupine eats ice cream and I wait for you to return to me. Your face—I can reach out and nearly touch it before you fade. It will never be that we will age together. You eternally nineteen. I try to figure out still. What I missed. Words I let pass, smells I didn’t recognize, unfamiliar tastes and sounds. Each an opportunity I failed to seize. Each a possibility to save you. Although now, so many years, so many patients later, I am aware that treatment is not without consequence, death without promise, visions without meaning. And hand-holding is merely that.

You spin.

The foul-smelling summer envelops both moon and stars. You stand alone, nothing left to wish upon. But you insist. For what I’m still not sure. A sign of validation. A resuscitation of sorts? It doesn’t occur to me to ask. You reach for my hands and I reach back—ours an unconditional covenant—until you break it, letting go. You are spinning. Lightning bugs illuminating Kodachrome.

Your teardrops, embedded in dust, have scattered into places I have more and more difficulty accessing. Around the corner—through the door—the third page in the navy photo album. Thirty-five-millimeter film. Auto exposure mode. There you are: orange towel, blue trunks, a slight smile and sunburn. There you are again, seagulls surrounding you, a bag of potato chips dipped in ketchup—what book is that you’re reading?

And there I am. In the kitchen. A paper cup in chubby hands.

“Milk? Water? Apple juice?” Mom asks.

“Apple juice.”

She returns from the fridge with a large glass bottle.

“Mommy, how much do you love me?”

We face each other. The smell of freshly cut grass itching at my nose. I mention this because we are away on vacation. It’s a summer day, a beautiful summer day. The kind of day where people water flowers, paint houses, cut grass.

“How much do you love me?” I ask again.

“With my whole heart,” she answers.

“Then what about Daniel and Daddy?”

“I love them with my whole heart too.”

“How? How can you love all of us with your whole heart?”

“Well...” She takes a moment. “The heart isn’t like a Dixie cup. It doesn’t fill, it expands.”

And then. Space and time a defy-able entity. You and I are facing each other. You’re sipping a milkshake through a paper straw. Daniel Seliger, age eight, sips milkshake through a paper straw, and when the straw softens, when he can no longer draw the vanilla through, he begins to cry. I turn away. Memory is like this for me now. I can turn away from it. I repeat this thought out loud, as if the mere act of saying it, like an incantation, will transform the idea into reality. And because it’s true. I can do this now.

Most of the time.